Carbon-ATE: An Afro-Future exhibition is work from regional artists that are re-imagining and creating the narrative around Blackness as they see fit. In their work, they are choosing to create visual representations of an optimistic outlook on the present and future concepts about Black culture and aesthetic. These artists—though in different points in their career—have one major thing in common, their conscious decision to create and archive Black identity—and they ate.

Carbon-ATE: An Afro-Future exhibition is work from regional artists that are re-imagining and creating the narrative around Blackness as they see fit. In their work, they are choosing to create visual representations of an optimistic outlook on the present and future concepts about Black culture and aesthetic. These artists—though in different points in their career—have one major thing in common, their conscious decision to create and archive Black identity—and they ate.

Free-doms defines and questions American free-doms both historically and as it's being re-defined in contemporary times. By using sourced material from Maryland State Archives, artists ​Dwayne Martin, Selena Noir, Khadija Jahmila, and Underdog the DJ have researched, re-imagined, and based these original works on the historical lawsuits known as Freedom Stories.

Free-doms defines and questions American free-doms both historically and as it's being re-defined in contemporary times. By using sourced material from Maryland State Archives, artists ​Dwayne Martin, Selena Noir, Khadija Jahmila, and Underdog the DJ have researched, re-imagined, and based these original works on the historical lawsuits known as Freedom Stories.